The Economics of the Super Bowl: On ‘The Woodstock for the 1%’ | Urban Cusp

The Economics of the Super Bowl:

On ‘The Woodstock for the 1%’

By David J. Leonard

UC Columnist, Eye on Culture

America’s biggest unofficial national holiday, Super Bowl Sunday, is more than a football game. It is a celebration of military prowess (in 2011, the Navy spent 450,000 tax-payer dollars to conduct its 2011 flyover), excess, and a culture of wealth. With tickets going for $3,000-4,000 a piece, and millions of dollars going to local businesses (although this number is often overstated), the economics of the Super Bowl are as important as questions about Rob Gronkowski’s injury and the potential dominance of Giants defensive line. Yet, the economic question transcends the issues of the “local economy” as the Super Bowl is yet another party for the rich, by the rich, and of the rich.

“The Super Bowl is perennially the Woodstock for the 1%: a Romney-esque cavalcade of private planes, private parties, and private security,” writes Dave Zirin. Tony Koreheiser once described the Super Bowl as “a celebration of concentrated wealth,” while Dave Zirin, in his discussion of festivities in Detroit a few years back, identified the festivities as a 2-week “binge.” Still relevant today, Zirin describes the Super Bowl as little more than a cross between Lifestyles of the Rich and Famous and My Super Sweet 16:

Every Super Bowl Sunday, corporate executives and politicians exchange besotted, sodden backslaps, amidst an atmosphere that would shame Jack Abramoff. Only this year the bacchanalia — complete with ice sculptures peeing Grey Goose vodka and two tons of frozen lobster flown directly to the stadium — is happening in the United States’ most impoverished, ravaged city: Detroit.

The image of the Super Bowl as Americana, tailgates, beer and hot dogs, is a misnomer at best, given the predominance of America’s 1%. 2010 set a record for the number of private jets landing for a Super Bowl with 400, only to be left in the dust with 600 private jets in 2011. “For the private jet business, the Super Bowl is the, well, Super Bowl of private jet rentals. Every year, like monarchs to Mexico, a swarm of private jets descends on the big game to unload the rich and powerful football fans,” writes Robert Frank. There’s no tailgating under the tail fins, or downing buffalo wings on the wing of the G550. But for some reason, private-jetting and football have always gone well together for February’s big game.” The 2012 Super Bowl may surpass these past records.

Planes are not the only excess. According to one report, 35% ticket holders write off the game as a business expense. Highlighting the ways in which the Super Bowl is a party for billionaires, whether it be team owners, corporate executives, or other members of the 1%, the disparities and disconnect that will be on full display this Sunday, should give pause.

The 1% has a lot to celebrate at the Super Bowl given the amount of money generated because of the football game, very little of which goes to the players and the other people who make the game happen. According to Wall Street Journal report, over 5 million NFL fans will stimulate the economy through upgrading their television in anticipation of the game. Additionally, on average those watching the game spend 60 per person in food and merchandize. The Super Bowl is an economic bonanza.

Continue reading at  The Economics of the Super Bowl: On ‘The Woodstock for the 1%’ | Urban Cusp.

The Layup Line » Nothing to Celebrate: Chris Paul and the NBA Imagination

Nothing to Celebrate: Chris Paul and the NBA Imagination

David J. Leonard

December 16, 2011

I am a Lakers fan so any and all of my criticism should be seen through that window. While Lakers’ haters have rejoiced over the draconian decisions from the league, it’s worth taking a moment to contemplate what exactly they’re celebrating.

For example, Dave Zirin is a brilliant commentator, with an amazing ability to both highlight the political dimensions of sport and use it as a way to elucidate the larger social issues of the day. In his essay, “Sorry, Lakers: Chris Paul and the Clippers Now OCCUPY Los Angeles,” Zirin doesn’t just argue that a sea change is underway in Los Angeles. He also connects the trade to a larger social upheaval inside and outside of the sports world. “These aren’t two NBA teams. They are the two Americas. But in a 2011 where we’ve seen global revolutions from the Middle East to the Mid-West overturn accepted truths in thought and deed, it’s hard to think of a more appropriate way for the SportsWorld to end its year,” writes Zirin.

Zirin then makes his zeitgeist-tapping analogy more plain:

The Lakers have always been the ultimate team of the 1 percent. The Clippers are the also-rans, the afterthoughts, bottom-dwelling 99 percenters of the first order. One trade, and this sacrosanct truth has been turned on its head. To see an exhilarating symbol of the change 2011 has brought and 2012 will bring, you can do worse than remembering the names Chris Paul, Blake Griffin and the soon-to-be almighty Clippers.”

David Stern’s decision to reward David Stern with a transcendent player such as Paul given his given his history of racial discrimination is jarring enough. After all we can not forget that journalist Bomani Jones once described Sterling in the following way: “That same man, who gives black men tens of millions of dollars every year, refuses to take a few thousand a month from folks who would like to crash in one of his buildings for a while? … . Sterling may have been a joke, but nothing about this is funny. In fact, it’s frightening and disturbing that classic racism like this might still be in play.” Read in this context, Zirin’s position the Clippers as the 99% represents a troubling reimagination of the 99%. Can this really be the face, symbolic or real, of the 99%?

Yet, beyond defining the 99% as those who are not winning, what concerns me here is the failure to see how the Clippers won (and David Stern, Dan Gilbert, Michael Jordan, Nike and a host of other global corporations won) through the exertion of power and the adjustment of rules to fit the agendas, needs, and financial goals of these ultimate winners. In fact, this entire Paul imbroglio is indicative of current economic policy, where rule -makers adjust games for their own benefit. Zirin’s assessment would have one believe that the Lakers were Lehman, and the Clippers Goldman Sachs, one got bailed out, the other didn’t. But does anyone really believe in the possibility of an NBA landscape in which the Lakers’ aren’t somehow rendered as Goldman Sachs?

This Chris Paul debacle was the first clear sign that, post-lockout, the league’s agenda is to restrict player movement and contain player salaries while maximizing profits. This has been done under the guise of “achieving parity” but just like the “free market” the NBA is supposed to operate in, these are all illusions. The needs of public consumers – in this case, sports fans – clearly are not determining the marketplace. The oligarchs do. Just as Lehman Brothers was allowed to fail while other banks were bailed out, the NBA made a decision to empower the Clippers at the expense of the Lakers, Rockets and others because of the larger effort to make the league more about teams and rivalries rather than stars. In reimagining the NBA apart from stars, the NBA is attempting to rebrand itself thereby limiting the power and financial demands of the players themselves. Josh Martin describes the situation as nothing to celebrate, especially since it’s illustrative of the unjust consequences of power:

Hate David Stern for going Hank Paulson on his league’s marquee franchise, thereby setting a horrendous precedent that he might just do it again and bringing the business of player movement to a screeching halt as a result. . . .

Hate the owners who wanted (and still want) a hard cap AND salary rollbacks AND to prevent superstars from working where they want to, even after putting in years of service in smaller markets.

Hate Gilbert and Sarver and the Maloofs and all those other egomaniacs for screwing up YOUR favorite teams and then blaming their own missteps and bad contracts on their well-payed [sic] employees.

In other words, don’t hate The Player; hate The Game, the very same game that YOUR owners pushed for and that will ultimately cost YOUR teams in their pursuit of big-name free agents and NBA championships.

Clippers fans are right to celebrate CP3’s arrival in Los Angeles, but I’m not sure anyone else has cause for joy. Trading Chris Paul is a testament to the continued oligarchy of the NBA; it is not a triumph of the 99%. Efforts to push Chris Paul to one team over another, the meddling and public statements of owners, are just the beginning of a systemic reconfiguring of the NBA. Is that really worth celebrating?

via The Layup Line » Nothing to Celebrate: Chris Paul and the NBA Imagination.

NewBlackMan: Politics as Usual: Decoding the Attacks on a Liberal Education

Politics as Usual: Decoding the Attacks on a Liberal Education

by David J. Leonard, Mark Anthony Neal and James Braxton Peterson | NewBlackMan

Few university courses generate much attention from mainstream media, but Georgetown Professor Michael Eric Dyson’s course “The Sociology of Hip-Hop: Urban Theodicy of Jay-Z” has drawn national attention from NBC’s Today Show, The Washington Post, The Associated Press, USA Today, and Forbes.com among many others. To be sure such attention is not unusual for Dyson, who is one of the most visible academics in the United States and has offered courses dealing with hip-hop culture, sociology, and Black religious and vernacular expression for more than twenty-years. Yet, such attention seems odd; hundreds of university courses containing a significant amount of content related to Hip-hop culture and Black youth are taught every year—and have been so, for more than a decade. In addition, there are dozens of scholarly studies of Hip-hop published each year—Julius Bailey’s edited volume Jay-Z: Essays of Hip-Hop’s Philosopher King, among those published just this year—and two Ivy League universities, Harvard and Cornell, boast scholarly archives devoted to the subject of Hip-Hop.

Any course focused on a figure like Jay-Z (Shawn Corey Carter), given his contemporary Horatio Alger narrative, and his reputation as an urban tastemaker, was bound to generate considerable attention, but the nature of the attention that Dyson’s class has received and some of the attendant criticism, suggest that much more is at play.

In early November, The Washington Post offered some of the first national coverage of the class, largely to coincide with the arrival of Jay-Z and Kanye West’s Watch the Throne tour to Washington DC’s Verizon Center. Jay-Z dutifully complied with the attention by giving Professor Dyson a shout-out from the stage. The largely favorable article about the class, did make note, as have many subsequent stories, about the cost of tuition at Georgetown; as if somehow the cost of that tuition is devalued by kids taking classes about hip-hop culture.

Other profiles of the course and Dyson have gone out of their way to make the point that the course had mid-term and final exams, as if that wouldn’t be standard procedure for any nationally recognized senior scholar at a top-tier research university in this country. Such narrative slippages speak volumes about the widespread belief that courses that focus on some racial and cultural groups, are created in slipshod fashion and lack rigor; it is a critique that is well worn, and that various academic disciplines, such as Women’s Studies, Ethnic Studies and even Sociology have long had to confront.

via NewBlackMan: Politics as Usual: Decoding the Attacks on a Liberal Education.