Tag Archives: Metta World Peace

Metta World Peace and the Stigma of Criminalized Bodies Pt. 2 | Urban Cusp

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Metta World Peace and the Stigma of Criminalized Bodies Pt. 2

By David J. Leonard

The elbow seen around the world and the media fallout continues to bother me. Over the last five weeks, I have found myself debating others online, yelling angrily at the television and otherwise struggling to make sense of Metta World Peace’s elbow of James Harden. As I noted in part 1, my concern stems from a media narrative that too often invokes the language and frames reserved for “criminal justice” matters (the courts). It also reflects a narrative that refuses to let MWP live in the moment, to be defined by his actions in our present. Instead, he is defined now (and as he has been since 2004) by his actions and the meaning of those actions within our racialized society. Having paid his debt to the NBA, and society, he continues to be dogged by the past, an unfair constraint of America’s criminalizing culture.

The efforts to criminalize MWP, to depict him as pathological and dangerous, as a constant threat to those on the court is illustrated in language usage but also in the constant references to his past. The constant reference to the Palace Brawl and to past suspensions without any acknowledgement of the specifics of each instance (and the differences), the timeframe involved, or the changes MWP has shown is telling. For example, many commentators continue to reference his “past,” his “history” and the fact that he has been suspended “13 times in his NBA career for a total of 111 games.”

However, few provide any specifics, as if they don’t matter. Three of those suspensions (4 games) were for exceeding the maximum allowable flagrant foul points, with another coming from his leaving the bench during an altercation that he was not involved with. Even his first suspension in the league (4 games – “With the Pacers, four games for confronting and making physical contact with Miami Heat coach Pat Riley, for taunting the Miami bench, for committing a flagrant foul-2 on Caron Butler (pushing him into the stands) and making an obscene gesture toward fans”) or two of his more recent suspensions, both of which were clearly impacted by his involvement with the Palace Brawl, points to the problems of imagining MWP as some “habitual” offender.

None of this is to excuse MWP for the elbow or even past actions (including a plea of “nolo contender” in a case where involving infliction of injury his wife, clearly his most troubling offense yet one that received much less media outrage that the elbow or the Palace). Rather, I call for specifics and reflection as a way to caution against the continued merging of the criminal justice system and public culture, between the criminal court and the basketball court. The normalization of the language of the criminal justice system and the criminalizing of “bad” bodies gives life to America’s prison culture, to America’s new Jim Crow.

This leads me to why the media coverage regarding the elbow gives me pause – why it troubles me more than the elbow itself. The intrusion of the language of the criminal justice system, the ubiquitous references to Metta’s past, and inability of others to allow MWP to move forward without the past shackling, defining, and controlling him reflects a larger injustice: the stigmas, life-sentence, and 2nd-class citizenship “afforded” to criminalized communities. “A criminal record today authorizes precisely the forms of discrimination we supposedly left behind,” writes Michelle Alexander in The New Jim Crow: Mass Incarceration in the Age of Colorblindness:

Continue reading @ Metta World Peace and the Stigma of Criminalized Bodies Pt. 2 | Urban Cusp.

Metta World Peace and the Language of Incarceration in Sports Coverage Pt. 1 | Urban Cusp

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Metta World Peace and the Language of Incarceration in Sports Coverage Pt. 1

By David J. Leonard

 

The elbow seen around the world and the media fallout continues to bother me. Over the last two weeks, I have found myself debating others online, yelling angrily at the television and otherwise struggling to make sense of Metta World Peace’s (formerly known as Ron Artest) elbow of James Harden. Almost every day, I have woken up thinking about the incident and what needs to be said. Clearly, Metta is on my mind, but not because of the elbow (indefensible), my love of the Lakers’ (unwavering), my tendency to always side with players (not saying much given the media), and the connection between this incident and my book, After Artest: The NBA and the Assault on Blackness.

So, what’s gives?

My focus or concern on Metta’s elbow and more centrally the media spectacle has little to do with the incident but instead what it tells us about society, especially as it relates to the criminal justice system and race. The media and public response has been one focused not on the foul itself, but rather depicting Metta as a crazy criminal that deserves punishment. The constant use of the language of the criminal justice system — “repeat offender”; “the letter of the law,” “does the punishment fit the crime” – is telling because while the incident has nothing to do with the criminal justice system, the media continues to apply language of criminalization to Metta World Peace. For example, Scott Carefoot depicts MWP as a “dangerous menace” in “Why intent shouldn’t factor into Metta World Peace’s suspension.”

I don’t need to read Metta’s mind or his body language to determine if he meant to nearly decapitate James Harden with his elbow — I don’t care because it doesn’t matter. I know he’s a swell guy with a big heart off the court, but he’s a dangerous menace on the court who is more likely to end somebody’s NBA career than anyone else in this sport. I’m not advocating a permanent ban, but I won’t complain if that’s Judge Stern’s verdict.

Similarly, Jess Coleman sees MWP as a serial “criminal” who cannot be helped, yet because of the NBA’s culture gets a free pass:

World Peace is lucky: he could have seriously injured Harden. Regardless, he will once again slip loose from this criminal act with nothing more than a measly suspension. Any money he loses – he will remake in the next few weeks. And when he does something like this again, we will all act surprised. My question to the NBA: what exactly are you waiting for?… If a normal citizen engaged in any of these actions on the street, they would be prosecuted. But when athletes act up on the field, they are immune from criminal law, and handed slaps on the wrist that do little more than please the public.

The argument that if any person did what Metta did on the street they would go to jail is at one level ridiculous (wouldn’t that be the case with any foul or even a box out) and on another level troubling. The continuous references to MWP as “criminal” as deserving of prosecution, as unredeemable points to a larger process of criminalization. When Henry Abbot labels MWP as a permanent threat — “I don’t think punishments are likely to extinguish the tinderbox of danger inherent in that combination, which has a track record of producing trouble – or when Kelly Ogle describes him as “a thug, a ticking time bomb” who should be “kick[ed]… out of the league [because] he’s dangerous,” we see how MWP represents not an individual who made a terrible mistake, who did something awful, but someone who is awful. We see how that he is being categorized as a criminal that needs to be locked up.

Continue reading @ Metta World Peace and the Language of Incarceration in Sports Coverage Pt. 1 | Urban Cusp.

NewBlackMan: ‘No [Hoodies] Allowed’: The NBA’s Dress Code & the Politics of New Racism —Excerpt from After Artest: The NBA & the Assault on Blackness

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‘No [Hoodies] Allowed’: The NBA’s Dress Code & the Politics of New Racism —Excerpt from After Artest: The NBA & the Assault on Blackness

—Excerpt from After Artest: The NBA & the Assault on Blackness

by David J. Leonard | NewBlackMan

The murder of Trayvon Martin has prompted widespread discussions about race in America, persistent inequalities within the criminal justice system, differential values afforded to different bodies, and the real-life consequences of racial stereotypes. Amid many of the discussions, media reports, and the protests have been questions about the racial signifier of the hoodie. From the million hoodie march to the backlash directed at Geraldo Rivera, who named the hoodie as a co-conspirator along with George Zimmerman, the discourse has reflected on the racial signifiers embedded in the hoodie. In other words, how is a black body, inherently criminal and suspect when read within a hoodie; what are the dialects between the hoodie and the black body within these processes of criminalization? These types of questions have been asked and represented in a spectrum of spaces, highlighting the ways the black bodies are imagined as threatening within the dominant white imagination. Pushing the conversation beyond individual prejudice and “what was in George’s heart,” such counternarratives have reflected on how media narratives, popular culture, and a culture that criminalizes black bodies produces a Trayvon Martin, whose mere presence is seen as a threat, all while producing a George Zimmerman.

As a scholar of race and sport, these questions have long guided my work: how do the representations of black athletes, particularly those in the NBA, buttress larger ideological, political, and criminalizing processes? How does the ubiquitous references to NBA players as “thugs” and “gangstas” as “criminals” and “punks” normalize blackness as questionable, undesirable, and inherently suspect? The murder of Trayvon, the prison industrial complex, the racial segregation in school discipline, and the levels of state violence are a product of these cultural projects. According to a report from the Opportunity Agenda, “distorted media representations can be expected to create attitudinal effects ranging from general antagonism toward black men and boys, to higher tolerance for race-based socio-economic disparities, reduced attention to structural and other big-picture factors, and public support for punitive approaches to problems.”

In my recently release book – After Artest: The NBA and the Assault on Blackness (SUNY 2012), I explore the broader criminalization of blackness inside and outside of the NBA’s arenas, that among things has focused on the attitudes, demeanor, and clothing of NBA ballers. I, thus, present to you a short excerpt from the book, one that explores the racialization and criminalization that is evident in the NBA’s dress code as a way to expand our conversation about the murder of Trayvon Martin to reflect on how popular culture, media discourses, and the language of everyday racism both normalizes the criminalization of blackness and points to the importance of intervention in this regard.

Continue reading @ NewBlackMan: ‘No [Hoodies] Allowed’: The NBA’s Dress Code & the Politics of New Racism —Excerpt from After Artest: The NBA & the Assault on Blackness.

He’s Still Metta World Peace – Entertainment & Culture – EBONY

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He’s Still Metta World Peace

[OPINION] David Leonard says one mistake on the court doesn’t mean we should ignore the former-Ron Artest’s bold transformation

David Leonard

Metta World Peace is once again America’s most hated athlete. After elbowing James Harden in the head, an indefensible foul netting him a 7 game suspension, he has faced endless criticism on not just the cheap shot but him as a person. In article after article, within television commentaries, media pundits have made their anger clear, often refusing to call him by his name since his actions mirrored those when he was Ron Artest. Announcing that he doesn’t deserve to be called Peace, that he clearly has not changed from his Ron Artest ways, and that his new name was a lie in that he was “still a thug,” the efforts to deny MWP his name is telling. It is both a power play (“we will call you what we want to call you”) and part of argument that MWP is a bad guy who is incapable of changing irrespective of his name.

Part of the refusal to call by MWP seems to come from anger if Metta elbowed the media in the face. This wasn’t simply a foul or even a cheap shot, but a betrayal to all those who believed in Metta’s transformation, who rooted for him, and who gave him a 2nd chance. It was an affront to his new name, a name he didn’t deserve.

Drew Magary, in “Why Did We Ever Think Ron Artest Was Interesting?”, reflects the level of hostility directed at MWP, anger that comes from a feeling of being bamboozled and taken for a fool in believing in this changed man: “I was one of those Internet people who participated in the rebranding of Ron Artest when he arrived in L.A. a couple years ago. Yet “Artest isn’t really a colorful character. He’s not an interesting person. And he’s not sympathetic. There’s nothing to learn from the life of Ron Artest. Like Arenas, he’s just a flaky shithead.”

Capturing the tone of a parent whose child missed curfew again, after having promise to always be on time, the post-elbow tone has been one of disappointment and feelings of betrayal. “I had come to know him and even like him…. I have visited with him countless times after games and eventually understood him as a guy who seemed to be constantly choking down his violent tendencies in an attempt to change,” writes The Los Angeles Times’ Bill Plaschke. “He would say something mean, then turn it into something funny. … I was really starting to believe he was Metta World Peace. I was wrong, and James Harden has the headaches to prove it. He is still Ron Artest.“ As with many others Plaschke refuses to call him by name because in his eyes he is the same old bad person.

Following in the tradition of Muhammad Ali, Kareem Abdul-Jabbar, World B. Free, Mahmoud Abdul-Rauf, and even Chad Ochocinco, Ron Artest’ changed his name to Metta World Peace (MWP) in Summer of 2011. While facing similar scorn and criticism (albeit each in distinct ways), his decision to be come MWP highlights the power of black self-naming in a society that often doesn’t understand the black community. The capacity to name one’s self is in power, a power routinely co-opted and denied by white America. As we are reminded in Coming to America: “A man has the right to change his name to vatever he vants to change it to. And if a man vants to be called” Metta World Peace, “godammit this is a free country, you should respect his vishes, and call the man” Metta World Peace!

Having believed that MWP was a changed man, the elbow betrayed their desire to redeem him because it showed how compassionate, forgiving, and exceptional American could be. As with the anger directed at Tiger Woods, “America’s multicultural son” after news broke of his martial infidelity, and the disappointment directed at Kobe Bryant, who was “different” from his baller brethren, following Colorado, the elbow denies the media THEIR story. And so denying the “we forgive you Metta; isn’t America exceptional story,” these angry commentators have returned the favor in denying him his name. It goes back to that same old (White supremacist) saying: you can take the player out of the ghetto, but you cant take the ghetto out of the player. Or better said, you can take on this flower child name, but you can’t change who you are if who you are is an inherently violent thug. Yet, the man has changed and despite an indefensible foul, he still has the right to be called Metta World Peace.

Continue reading @ He’s Still Metta World Peace – Entertainment & Culture – EBONY.

NewBlackMan: The Elbow Heard Around the Nation: The NBA and the End of ‘Peace’

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The Elbow Heard Around the Nation: The NBA and the End of ‘Peace’

by David J. Leonard | NewBlackMan

The Elbow Heard Around the Nation: The NBA and the End of ‘Peace’

by David J. Leonard | NewBlackMan

When Ron Artest announced his intent to change his name to Metta World Peace, I had discussions with several people about potentially changing the name of my book, After Artest (May 2012, SUNY Press) to reflect his metamorphosis. Examining how the Palace Brawl forever changed the NBA, while also highlighting the larger scripts of race and criminalization, After Artest reflects on the processes of demonization and criminalization directed at Artest and his black baller brethren in the aftermath of the 2004 fight between the Pacers-Pistons-Piston fans.  While deciding against changing the book’s title for a myriad of reasons, one principle issue for me in pushing back against a title like “Peace after the Palace” was that in spite of efforts from the NBA, its fans, and the media establishment to police, punish, and control blackness in their efforts to secure peace, neither condemnations and suspensions, dress codes or age restrictions, would bring about peace for the league because of the ways that race and racial narratives operate within the American cultural landscape.  The efforts to recreate the illusion of a racially-colorblind Jordan-esque landscape were futile given persistent anti-black racism and governing stereotypes.  Peace after the palace was not possible because of the ways that blackness and anti-black racism overdetermined its meaning within the national landscape.  Artest and what he embodied in the national imagination guided and served as a lens as the NBA sought to deracialize itself within the national imagination.  This is why I start After Artest as follows:

“The real question, how does it feel to be a problem” – W.E.B. DuBois, 1903 (Quoted in Jackson 2006, p. 9)

“Ron Artest more than likely will be suspended, but so should Kobe” (Resnick 2009)

“Kobe vs. Artest: Proof Artest Will Kill Your Team” (2009)

“NBA Bad Boy Ron Artest of L.A. Lakers Admits He Had A Problem: Drinking During Games! ” (Douglas 2009)

“Trevor Ariza loses shoe, Ron Artest tosses it into the stands” (2009).

Artest, who’s trying to put his bad-boy image behind him, said he could simply display his ring in his living room or he could wear it.’ But I think it’ll be more important to give back to something I believe in, which is providing kids with someone to talk to because it’s so expensive. I pay for parenting counseling, marriage counseling and anger management, and it’s very expensive. This will be for children of all demographics, rich or poor — preferably the rich can pay for their own psychologists — but it’ll be a great way to help kids who don’t know where they’re going in their life at this point’ (“Ron Artest Plans” 2010)

***

Artest, who’s trying to put his bad-boy image behind him, said he could simply display his ring in his living room or he could wear it.’ But I think it’ll be more important to give back to something I believe in, which is providing kids with someone to talk to because it’s so expensive. I pay for parenting counseling, marriage counseling and anger management, and it’s very expensive. This will be for children of all demographics, rich or poor — preferably the rich can pay for their own psychologists — but it’ll be a great way to help kids who don’t know where they’re going in their life at this point’ (“Ron Artest Plans” 2010)

***

At first glance, the above headlines point to the fact that Ron Artest’s personal history, and especially his association with the Palace Brawl, continues to determine the public narrative assigned to him by the dominant media and broader public discourse. Even those instances of praise and celebratory redemption does so in relationship to his past indiscretions. Despite the banality of his exchange with Kobe and his tossing of another player’s shoe off the court (his sportsmanship was questioned by an announcer), and notwithstanding his efforts to admit to a past drinking problem1 or shed light on the issue of mental health, each in varying degrees have been the read through the lens of the Palace Brawl.

In 2009, Ron Artest admitted to drinking alcohol at halftime while he was a member of the Chicago Bulls. Hoping to teach kids by sharing his past mistakes, Artest’s admission, not surprisingly, prompted much media and public debate. Although some people questioned the truthfulness of his admission, others used this moment as an opportunity to speculate about whether Artest was indeed drunk when he entered the stands in 2004. Likewise, his tossing of Trevor Ariza’s shoe into the stands, along with his physical and verbal altercations with Kobe Bryant, were given amplified meaning and importance considering his role. In all four instances, Artest’s past and his character are used as points of reference.

Often invoking his involvement in the 2004 Palace Brawl, the dominant frame that facilitates his representations is not only constrained by Artest’s personal and professional histories, but by the prism of race and blackness. He is consistently imagined as a problem. The nature of these representations point to the ways in which blackness overdetermines not only the meaning of Artest, but of all black NBA players in a post-Brawl context. Post-Artest, blackness is the hegemonic point of reference for both the commentaries and the policy shifts within the NBA, demonstrating that the Palace Brawl changed the racial meaning of the NBA and thus changed the regulatory practices governing the league. . . . .

The Palace Brawl was the culmination of the recoloring of the NBA. It represented a moment when the blackness of the league was irrefutable and thus needed to be managed, controlled, and, if necessary, destroyed. After Artest argues that the Palace Brawl served as that “aha moment” in which blackness displaced the racially transcendent signifier of Michael Jordan. This blackness, and its representative threat, were undeniable and, as such, necessitated intervention, termed as an assault within this book’s title. Not surprisingly, anti-black racist/white racial frames have anchored the debates and policies that have followed Artest; frames based on racial transcendence or colorblindness remain in the background. In this sense, Artest mandated a reversal wherein race/blackness had to be noticed (and controlled/destroyed), leading to public articulations of the white racial frame instead of denials of racial significance.

With this in mind, it is not surprising that the sports media establishment, and the social media world is all abuzz following a Metta World Peace foul on James Harden on Sunday in a nationally televised game.  A hard foul that was reckless and dangerous; one that warranted an injection (unlike others I have no idea his “intent”) and a suspension; and one that was disappointing to say the least and not worry of defense. I am not here to defend the foul or explain, although those who use the foul as a referendum on Metta, the NBA, or blackness need to check themselves.

It was unfortunate; yet equally unfortunate and more destructive have been the response.   Hayden Kim, on The Bleacher Report, referenced Metta’s “unstable mental stable” and an inability to maintain control; worse yet, he described his outburst in the following way:  “As he pounded his chest, acting like a gorilla during mating season, he caught James Harden with an ill-advised elbow that could have caused an earthquake” (the original piece no longer has this language but can still be found here and here).  The hyperbole notwithstanding, the descriptor of Metta as a “gorilla” given its historic meaning is disturbing to say the least – disgraceful, in fact.

Ken Berger focused more on the typical hyperbole and ‘what ifs” with his discussion of the elbow heard around the world.  “Metta World Peace’s vicious, dangerous elbow to the head of James Harden Sunday was no garden variety NBA elbow, and it probably will result in longer than your typical elbowing suspension,” writes Berger. “It should, anyway. This was about as cheap as a cheap shot gets. It’ll have nothing to do with the fact that Metta World Peace is really Ron Artest, he of Malice at the Palace fame. World Peace, after all, has come a long way since his 73-game suspension for going into the stands in Auburn Hills, Mich., in 2004, and even won the NBA’s citizenship award last season (when his name was still Ron Artest).”  Berger, unlike so many others notes his recent citizenship award, falls into the trap that he cautions against: reading the incident through the Palace Brawl.


Continue reading @NewBlackMan: The Elbow Heard Around the Nation: The NBA and the End of ‘Peace’.

SLAM ONLINE | » Condemn The Foul, Not The Mind

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Condemn The Foul, Not The Mind

Leave the mental assessments for professionals.

by David J. Leonard / @drdavidjleonard

There is no defense for the elbow seen around the world. Metta, why? Irrespective of intent, it was a hard flagrant foul, one that has no place in the beautiful game of basketball. The seven-game suspension, while a bit on the high side, is measured and appropriate.

In fact, given the incendiary rhetoric from the media, the continuous loop of the incident, and their overall efforts to excite anger, the decision from David Stern to issue a sensible suspension (not the case with the Palace Brawl) is worthy of praise.

As such, there is nothing to debate regarding Metta World Peace elbowing James Harden in the head—it was vicious, uncalled for and disheartening. As a Lakers, Metta World Peace and basketball fan—it was disappointing. It is indefensible; yet, that fact is not a defense for a media spectacle-defined unnecessary cheap shots, much of which has nothing to do with the incident.

From the hyperbole and rhetoric designed to incite anger, to the constant invoking of the language of the criminal justice system and the demonization of Metta as a crazy person, much of the sports media has failed to inform and elevate the discussion, instead embracing roles as referee, commissioner and worse yet, doctor.

A common theme evident since the nationally televised elbow has been the constant mention of Metta’s mental state. While one might think mental illness mitigates culpability (it can within our justice system), the media establishment has used his purported mental fabric and wiring as part of a narrative that depicts him as pathological and dangerous. Although painting him as unstable and mentally weak, the ubiquitous references to his mind reflect an effort to mock, make fun and ridicule Metta World Peace.

The references have saturated the airwaves. “To say that something is wrong with Artest would not do him justice. This is the guy who applied for a job at Circuit City to get a discount, has come to practice in a bath robe and has admitted to drinking cognac at halftime,” writes Jason Black. “After winning the NBA Championship in 2010 he thanked his psychiatrist. There are many people who need therapy or have mental health disorders, so the fact that he publicly talked about having a psychiatrist isn’t a bad thing, but it tells us there is a problem.”

Black goes onto argue that Metta’s mental illness represents a threat to himself, other players and the game itself, calling for extensive punishment as a method of protection: “Having a mental health issue and getting help for it is commendable, but what price does somebody have to pay before it’s too late?” As with media pundits like Stephen A. Smith, who described Metta as “not that far away from coo-coo nest,” “as touched,” and as someone who has refused to take his medication in the past, the media narrative demonizes Metta for his mental issues.

Describing him as having “violent tendencies,” Bill Plaschke furthers the picture of MWP as psychopath, as crazy dangerous man: “This was about a celebration that turned caustic when somebody walked into the middle of it, the weird mind of World Peace switching from jubilation to rage in a matter of seconds. Maybe even scarier than the elbow was the look in his wild and crazy eyes as he stalked around the floor immediately afterward.”

Continue reading @ SLAM ONLINE | » Condemn The Foul, Not The Mind.