NewBlackMan: Pride and Prejudice: Jeremy Lin and the Persistence of Racial Stereotypes

Pride and Prejudice:

Jeremy Lin and the Persistence of Racial Stereotypes

by David J. Leonard | NewBlackMan

The recent success and national visibility afforded to Jeremy Lin has both inspired Asian Americans and has been driven by the adoration and pride he elicits from some within the community. Whether on twitter, Facebook, or in the stadiums, it is clear that Lin is not simply a national phenomena but a treasure for the Asian American community.

According to Jamilah King, “regardless of how the rest of the season goes for Lin, and the Knicks, his moment in the spotlight is an important time to reflect on how the country views its Asian American athletes.” Whereas past Asian athletes, whether it be Yao Ming or Ichiro captured the global Asian Diaspora’s imagination, Lin is the most widely recognized Asian American athlete on the American team sport scene. Timothy Dalrymple highlights the appeal of Lin to Asian American males:

He particularly has a following amongst Asian-Americans. And some Asian-American young men, long stereotyped as timid and unathletic, nerdy or effeminate or socially immature — have fought back tears (which may not help with the stereotype, but is understandable under the circumstances) as they watched Jeremy Lin score 25 points, 7 assists and 5 rebounds for the New York Knicks.

In “Asian Americans energized in seeing Knicks’ Jeremy Lin play,” J. Michael Falgoust elucidates his cultural power within the Asian American community in quoting the thoughts of several different people:

“I don’t care about the outcome. I just want to see him in action. He’s as good of an Asian American athlete as there is” — Rose Nguyen

“I’m so proud. I don’t care if he is Chinese or Korean. I had to see him … my boyfriend has been talking about him so much” — Christine Lee

“I’m really excited. He breaks so many stereotypes. And my friends are just as excited. If you go to my Facebook feed, it’s all Jeremy Lin. I like that he plays smart. But then he’s from Harvard. So that is expected. He is also humble. He reminds me a lot of Derrick Rose, who’s always crediting teammates” — Andrew Pipathsouk

Andrew Leonard similarly argues that Lin’s popularity amongst Asian Americans is emblematic of the power of social media and also the pride that athletic success garners for Asian Americans, otherwise seen as “nerds” not “jocks.” While problematically invoking the language of “genetics” that erases Lin’s tremendous athleticism/speed, Leonard concludes that Lin inspires Asian American kids who yearn for a masculine role model given persistent invisibility and anti-Asian racism within the public square. “He’s a triumph of will over genetic endowment, a fact that makes him inspiring to an entire generation of Californian kids restless with their model minority shackles,” he notes.

On Monday, the social media world was also getting worked up about Michigan Republican Senate hopeful Pete Hoekstra’s racist Super Bowl ad, featuring a Chinese woman (labeled “yellowgirl” in the HTML code for the Web version) gloating over all the jobs her country was taking from the U.S. Once thrown into the 24/7 crazy cultural mashup perpetual motion machine, it didn’t take long before anger about that ad ran head on into Jeremy Lin pride. I have seen tweets urging Jeremy Lin to run for the Republican nomination for the Michigan senate seat, tweets warning that the only American jobs in danger from Asians are those belonging to New York Knick starting point guards, and even a tweet riffing off Kobe Bryant’s self-identification as “black mamba” — Jeremy Lin is suddenly the “yellow mamba.”

Lin has trended #1 on twitter on three successive game days, was top-10 searched items on Sina Weibo and is all the talk of the sports world. For the moment, it is Jeremy Lin’s world and we are all just living in it.

The pride and possibility reflects the broader erasure and invisibility of Asian Americans within popular culture (minus this year’s Top Chef). “Asians are nearly invisible on television/movies/music, so any time I see an Asian on TV or in the movies, I feel like I’ve just spotted a unicorn, even though usually, I see them being portrayed as kung-fu masters/socially awkward mathematical geniuses/broken-English-speaking-fresh-off-the-boat owner of Chinese restaurant/nail salon/dry cleaners,” writes one blogger. “Anyway, this phenomenon is 10x worse in sports. While there has been some notable progress with Asians in professional baseball, Asians are all but non-existent in the big three sports in the US (football, basketball, baseball).”

Continue reading @ NewBlackMan: Pride and Prejudice: Jeremy Lin and the Persistence of Racial Stereotypes.

The God Squad: Tim Tebow, Jeremy Lin, And Religiosity Of Sports | Racialicious – the intersection of race and pop culture

The God Squad:

Tim Tebow, Jeremy Lin, And Religiosity Of Sports

By Dr. David J. Leonard

Among the virtual saturation of Jeremy Lin online has been a poster of him with the words “We are all witnesses.” At Monday’s New York Knicks game, fans donned “black T-shirts that read “The Jeremy Lin Show” on the front” and “We Believe” painted on the back.

Encapsulating the hoopla and hype, while referencing the similar promise that LeBron James brought to Cleveland and the NBA (how’d that work out?), not to mention the spectacle of his meteoric rise, “the witness” iteration illustrates the religious overtones playing through the media coverage.

Since Lin emerged on the national scene while at Harvard, he has made his faith and religious identity quite clear. While refusing to abandon the “underdog” story, Cork Gaines focuses readers attention on his religious beliefs: “But there is more to Jeremy Lin than just being an undrafted Asian-American point guard out of Harvard. He is also a devout Christian that has previously declared that he plays for the glory of God and someday hopes to be a pastor.” Noting how post-game interviews often begin with Lin announcing his faith – “just very thankful to Jesus Christ, [his] Lord and savior” – Gaines uses this opportunity to deploy the often noted comparison that Jeremy Lin is the NBA’s Tim Tebow.

While making the comparison through the Cinderella/overlooked narrative, the media celebration of their faith and evangelical beliefs serves as the anchor for the Lin as Tebow trope. “Tebowmania? That was so 2011. It’s time for a new cult-hero phenomenon: Linsanity,” writes Ben Cohen in “Meet Jeremy Lin, the new Tim Tebow.”

Then there’s their shared religious values. ‘I’m just thankful to God for this opportunity,’ Lin said in an on-court interview Saturday before tweeting, “God is good during our ups and our downs!” His Twitter avatar is a Jesus cartoon. Tebow’s, for the record, is his autobiography’s cover.

Described as Taiwanese Tim Tebow, as resembling “Denver Broncos Quarterback Tim Tebow,” as filling the mold that Tebow “patented,” Lin’s identity (meaning/significance) is ascribed by his connection to Tebow. Tebow defines him.

In “From Unknown To Phenom In 3 Games: Harvard Grad Jeremy Lin Saves The New York Knicks,” Les Carpenter makes the comparison clear: “He is a Christian, vocal in his belief. And because of this and because he is a flawed player proving the experts wrong, people are comparing him to Tim Tebow.” According to Gaines, “Lin and Tebow are not the first athletes to make their faith a key component of their athletic persona. But if Lin, another unconventional player fighting an uphill battle against haters and doubters, continues his spectacular play in The World’s Most Famous Arena, the NBA may soon experience their own Tebowmania. And the fans are already calling it “Linsanity.”

While dismissing the links beyond the uber-hype afforded to Tebow (and now Lin), Bethlehem Shoals furthers the comparison: “Tim Tebow, whose religious views are no secret, probably considers luck the pay-off for faith; Lin is also an enthusiastic Christian. Whether you feel like pushing things in that direction is your business. The bottom line is that, thus far, Lin has been a welcome surprise, a Cinderella story that no one wants to see end.”

The comparison is instructive on multiple levels (see here to understand problems with comparison in a sporting context). Each exists in juxtaposition to blackness. The “underdog” narrative, the focus on hard work and intelligence, and the claims of being overlooked and discriminated against all elucidates the ways in which their bodies are rendered as different from the hegemonic black athletic body.

Religion, thus, becomes another marker of difference, as a means to celebrate and differentiate Lin and Tebow. Whereas black athletes are seen within the national imagination to be guided by hip-hop values rather than religious values, Lin and Tebow practice an evangelical ethic on and off the field/court. Tebow and Lin operate as “breath of fresh air.” Writing about Tiger Woods in Sports Stars: The Cultural Politics Of Sporting Celebrity, C.L. Cole and David L. Andrews argue that Woods’ emergence as a global icon reflected his power as a counter narrative. As “a breath of fresh of air,” his cultural power emanated from his juxtaposition to “African American professional basketball players who are routinely depicted in the popular media as selfish, insufferable, and morally reprehensible.”

Continue reading at The God Squad: Tim Tebow, Jeremy Lin, And Religiosity Of Sports | Racialicious – the intersection of race and pop culture.

NewBlackMan: Beyond the Classroom and the Cell: An Interview with Marc Lamont Hill

Beyond the Classroom and the Cell:

An Interview with Marc Lamont Hill

by David J. Leonard | NewBlackMan

Marc Lamont Hill and Mumia Abu-Jamal are two of the most visible intellectuals of my generation. Separated by the walls of injustice, The Classroom and the Cell: Conversations on Black Life in America brings these two giants in the struggle for justice together.

Discussing family, life and death, hip-hop, love, politics, incarceration and so much more, this book highlights their prominence and passion in the fight to “make America again.” As Susan L. Taylor describes in her endorsement of the book: It “gives voice to what is rarely heard: African American men speaking for themselves without barriers or filters, about the many forces in their lives.” Inspiring and illuminating, informative and insightful, The Classroom and the Cell: Conversations on Black Life in America is a conversation about issues and about these prominent figures. Amazing as the book is, I had the opportunity to talk to Marc Lamont Hill to discuss the book and its power.

David J. Leonard: How did the book come about?

Marc Lamont Hill: The book really emerged naturally out of my relationship with Mumia. I have been working on his defense, advocating for him for years, but it was in 2008 when we actually started a direct personal relationship. He called me out of the blue, right in the middle of the Democratic primaries, and we talked. He reached out and told me that he read my work and that he had seen me on TV; he appreciated the work. It was all love so we rapped about the work; we talked about Obama, we talked about whether or not he could beat Hilary Clinton and that almost became the source of our weekly conversations.

He would hit me every Friday at 5:30. We would just talk and as we began to talk more we developed a critique of Obama and what it meant for him to become President. We also talked about our lives, about our children, and about the other intellectual interests we had; we talked about culture and so much other stuff that we developed a bond and friendship that continues until now. After a while, we said lets do some work together.

Initially we thought we would write a book, a more traditional book on black life in America. It was an interesting project. We started to write essays together and the thing that we noticed was that we were melding our voices into one; we were losing our distinctiveness, we were losing the thing that made our conversations so rich: we had similar politics, we had similar values, but we also different perspectives, we came from very different places, we occupy very different social locations.

We decided that instead of trying to transform these conversations into something else we would spotlight the conversations in the tradition of Cornel West and bell hooks, and James Baldwin and Margaret Mead.

We decided to do a book of conversations, talking about the things that matter to us, the stuff that we care about. Politics came up, issues of life of death, leadership, education, love and relationships. Over the course of a year, we talked every Friday at 5:30 and that became the basis of many of the chapters in the book. Between prison visits, letter writing and phone conversations we produced this book, which I hope reflects the depth and breadth of our conversations as well was the deep love, commitment and respect we have for each other

DJL: When I was reading I was thinking about the West-hooks and Baldwin-Mead dialogues of the past, but this book felt different because of the level of respect and the love between the two of you; it felt more intimate than what we often get with dialogues and discussions between two prominent public figures. You give readers not only your assessment about the world, but also insight about yourselves.

MLH: That is what we wanted to do. We have each written a lot; we each occupy public lives and because of that, certain parts of who we are get exposed all the time; our ideas, our perspectives, our ideologies all get revealed. But we wanted to locate ourselves in this work. We wanted to give more perspective on who are we, but we really wanted to go deeper, to show who we are, to expose our anxieties and fears; we wanted to link the ideas to our personal stories. We wanted to tell a different story and we also wanted people to know that people conversing in this book are people who care deeply for each other and can model a kind of love ethic necessary for social change. It should feel more personal because it was.

Continue reading @ NewBlackMan: Beyond the Classroom and the Cell: An Interview with Marc Lamont Hill.

An Open Letter to ‘Dear White America’: On Ignorance and White Privilege | Urban Cusp

An Open Letter to ‘Dear White America’:

On Ignorance and White Privilege

David J. Leonard

UC Columnist

I have been meaning to write this letter for a while, but just didn’t know to say it. I know how hard conversations about race can be, and how invariably these conversation lead to claims about the “race card” or it being “just a joke.” But after watching yet another disheartening video of mockery and disrespect, I have to make it plain.

There is no acceptable reason to ever don blackface. It’s not a joke, it ain’t funny, and it’s not some creative license that adds to the value of your artistic endeavors. Blackface has a long tradition that is part and parcel with white supremacy. It is part of a history of humiliation and dehumanization, of denied citizenship, and those efforts to rationalize, excuse, and justify state violence. From lynchings to mass incarceration, white supremacy has utilized dehumanization as part of its moral and legal justification for violence. Spare me your reference to “White Chicks,” the Chappelle Show. Spare me your dismissive arguments about intent and not being racially motivated, Blackface is part of the violent history of white supremacy. If you don’t know, now you know, and if you still don’t know, go here or here.

While we are on the subject, there is no place for racist costumes that dehumanize and demean, that mock and ridicule, that stereotype and otherwise reenact a larger history of racism. We should have listened to students at Ohio University when they reminded us this past year with the We’re a Culture Not a Costume Campaign. Were you not listening or just don’t care? The costumes have to go along with those racist themed parties. You, I am talking about “ghetto parties, “cowboy and Indian parties,” “pimp and ho parties,” “South of Border parties or any number gatherings that see humor in mocking and demeaning others. If dressing up “as janitors, female gangsters and pregnant women” for Cinco de Mayo is in your plans, or a Martin Luther King celebration that includes a “gangsta party,” or Black History Month that’s celebrated with the most disturbing stereotypes, it’s time to reevaluate. Just say no!

Can you also please stop with the so-called impressions of Black people? The racist caricatures, the imitations of Flav Flav are not cool; just stop saying “kicking ballistics, boy.” The sideways hats or saggin pants are not evidence that you know black people. Lets wipe the slate clean of “colored people”, “jungle fever”, “super-awesome afro,” and “my best friends are black.”

As long as we are having this conversation, can we stop with the pathetic, clichéd, and misinformed arguments about how whites are now the discriminated minority? BET is not a sign of black privilege nor is black history. No, you can’t have, nor do you need to have, White Entertainment TV (you have Fox and its network of friends) or white history month (that is every month in case you missed it). Let’s get real, white privilege is real and has material consequences so stop denying and let’s start dealing with the inequality.

While we are talking about Black History Month, let’s get some things straight: (1) Black History Month is February. It isn’t funny; if you didn’t know, now you do know, so stop feigning ignorance. (2) Black history has nothing to do with fried chicken and grape juice, 40s or pancakes. (3) It is not appropriate to celebrate Black History Month with Kool Aid sales or hair care products or collard greens. (3) And if you don’t know more about black history than Martin Luther King (and “I Have a Dream”), and think Malcolm X is the leader of the Black Panther Party, you should first ask for your money back from whatever educational institution you have gone through. Second, spend February, March, and the rest of the year reading about Ella Baker and Ida B. Wells, Amzie Moore and Nathaniel Bacon and so many other people, experiences, creative endeavors.

To imagine blackness through popular culture icons, through celebrities is not only disrespectful to the beauty, rich history, and dynamic diversity of black life, but it is a missed opportunity to learn and grow.

Tim Wise (who recently wrote Dear White America) notes that talking about privilege is like asking a fish about water. Yet, white privilege surrounds us. It is evident in the ease of donning blackface, with the comfort of mocking black people and other communities of color, and with the professed ignorance about black history and culture. It isn’t that we don’t know, it is the pride in not knowing that embodies an attitude of disrespect and devaluing. White privilege is the acceptance of racist jokes and in the perpetuation of false ideas about race.

White privilege doesn’t have to enable blackface, dehumanizing impressions and commercialization of the Other. It can be resistance, refusal to be silent, and an unwillingness to sit idly by amid a culture of disrespect and violence. So, next time you hear a racist joke or think about donning blackface, or have friends who are planning some SMH event, do something! Next time you see discrimination or read about inequalities within our health care system, housing, employment or prisons, just say no! None of it is funny and it ain’t a joke.

Just so you don’t leave all mad shouting he is “calling me a racist.” I ain’t playing that game. This isn’t a “what you are” conversation but better “what you did” conversation. So, if what I am writing about here doesn’t connect with you, because you have never said or supported a racist joke, because you haven’t accepted a stereotype, because you haven’t dressed up or been at a party with racist costumes, I guess I am not writing to you.

Seriously, I am tired of that conversation and am hoping it is time for the “what can we do conversation” and “maybe we should start listening conversation” because the conversations we are having are getting tiresome, but not as much as the daily reminders that we are closer to Newt’s moon colony than to a post-racial America

via An Open Letter to ‘Dear White America’: On Ignorance and White Privilege | Urban Cusp.

Fight Fox News Bigotry: #Occupy the Media – News & Views – EBONY

Fight Fox News Bigotry: #Occupy the Media

[OPINION] With Eric Bolling’s latest racist jab, the call to bring Fox down is raised yet again

By David Leonard Writer

Racism, homophobia, immigrant bashing, misogyny and a general tone of violent rhetoric is almost commonplace at Fox. Their motto of “Fair and Balance” seems apt at this point where they are fairly balance with comments of racism, sexism, homophobia, and xenophobia. The saturation has produced an almost normalizing effect whereupon progressives and society at large don’t even notice at this point, simply dismissing as Fox being Fox. Yet, the consequence, the pollution of the public discourse, the assault on the epistemology of truth, and an overall souring of the public airwaves with daily morsels of disgusting, vile, and reprehensible rhetoric, illustrates that “Fox being Fox” poses a serious threat to Democracy, not too mention justice and equality.

Eric Bolling brought today’s daily dose of Fox bigotry to us. In a recent speech, Rep Maxine Waters referred to Reps John Boehner and Eric Cantor as “demons,” because in her eyes “they are bringing down this country, destroying this country, because they’d rather do whatever they can do [to] destroy this president rather than for the good of this country.” In response, Bolling took to the air to once again to reveal his own racial politics, and the level of discourse coming from Fox. Telling her to “step away from the crack pipe,” he warned Waters of the consequences by referencing Whitney Houston: “Congresswoman, you saw what happened to Whitney Houston. Step away from the crack pipe, step away from the Xanax, step away from the lorazepam because it’s going to get you in trouble.” Claiming it was a joke, Bolling didn’t even offer the proverbial “I am sorry if you were offended.”

None of this should be of surprise given Bolling’s history on Fox. Referencing a visit from Gabon President Ali Bongo Odimba to the White House, Bolling once asked: “Guess who’s coming to dinner? A dictator. And “It’s not the first time he’s had a hoodlum in the hizzouse.” This is the same guy who lamented “Obama chugging 40’s in IRE while tornadoes ravage MO” and recently in a conversation compared Obama to a drug dealer who opened “Barry’s Pot And Coke Emporium.”

Bolling’s comments about Maxine Waters come on the heals of Liz Trotta warned of the potential harm that would come in allowing women “to work closer to the frontlines.” Blaming feminists, Trotta argued that efforts to integrate women onto the frontlines was part of a feminist plan and that these efforts have led to increased sexual violence, an unavoidable consequence in her estimation:

It seems they have actually discovered there is a difference between men and women. And the sexual abuse report says that there has been, since 2006, a 64% increase in violent sexual assaults. Now, what did they expect? These people are in close contact, the whole airing of this issue has never been done by Congress, it’s strictly been a question of pressure from the feminists.

Not done, she went on to argue:

We have women once more, the feminist, going, wanting to be warriors and victims at the same time” and later added that feminists “have also directed them, really, to spend a lot of money. They have sexual counselors all over the place, victims’ advocates, sexual response coordinators. … you have this whole bureaucracy upon bureaucracy being built up with all kinds of levels of people to support women in the military who are now being raped too much.

Her comments represent a disgusting normalizing of sexual violence, an effort to blame women for rape, and to otherwise put the burden on women to avoid situations where there are potential predators. Steve Benan described her comments in this way (Jon Stewart also offered a response): “To hear this Fox News contributor tell it, American women in the armed forces should expect sexual assaults; American men in the armed forces are likely to become sexual predators; and the American military shouldn’t bother to take any of this seriously. That anyone would find such attitudes acceptable is just stunning.”

None of this should be surprising. This is the same Liz Trotta, who once joked about “joking about killing Obama,” noting “now we have what some are reading as a suggestion that somebody knock off Osama, um, Obama. Well, both if we could.” Her recent comments are, thus, business as usual.

In a recent column about the XXL and Too $hort, Mark Anthony Neal offered insight about strategies of resistance regarding the saturated airwaves: “Fact is that few, who are regular subscribers of XXL or regular consumers of their content will feel compelled to reject the publication, no more than those offended by statements, by say Misters Whitlock or Martin (as examples of two recent controversies) will stop watching Fox Sports or CNN (or listen to Tom Joyner).” Yet, these strategies

Continue reading @ Fight Fox News Bigotry: #Occupy the Media – News & Views – EBONY.

A Fly Girl: Black Sexual Politics and Beyoncé | The Feminist Wire

A Fly Girl: Black Sexual Politics and Beyoncé

January 23, 2012

By David J. Leonard and Kristal Moore Clemons

A newly discovered horse fly by Australian scientist Bryan Lessard has become global media fodder. While usually not a source of news, Lessard’s entry into the public square has little to do with the scientific importance of his “discovery,” but rather the chosen name he’s given this new species: Beyoncé. Describing this new species as “bootylicious” because of its “golden-haired bum,” Lessard, a 24-year-old researcher at Australia’s Commonwealth Scientific and Industrial Research Organization writes, Beyoncé would be “in the nature history books forever…[the fly now bearing her name is] pretty bootylicious [with its] golden backside.” He further explained that his name choice came about because the fly was the “all time diva of flies.”

Why would Lessard hope Beyoncé would take this particular scientific discovery as a kind gesture? Does he really think this is a compliment? While we cannot talk about intent, nor are we interested in the reasons behind the naming, we do think it is important to reflect on the larger history at work.

Popular media has covered the story as cute, as an odd story–one that “honors her”–and as evidence of the global popularity of Beyoncé. For example, Jennifer Walsh, a science writer on MSNBC, discussed naming as a common practice within the science world, noting “Beyoncé’s” arrival with a pantheon of other famous people:

Beyoncé isn’t the first celebrity to be honored with her own species. Traditionally named after scientists involved in their discovery, organisms have also been linked to the likes of Harrison Ford, Matt Groening (creator of “The Simpsons”), Mick Jagger and other celebrities, including a beetle named after Roy Orbison.

Considering the lack of media attention to these other named organisms, the comparison is limited at best. More importantly, the very situations and very different histories behind each further highlights the problematic comparison. Did the names of the other organisms reinforce, reduce or play upon longstanding racial fantasies and stereotypes that have been used to dehumanize, mock and ‘color’ black women? Worse yet, did the stories about those other celebrities come with pictures that further reduced their namesakes to a singular body part as a source of juxtaposition?

Several websites paired the story with a picture of Beyoncé that fixated the gaze on to her body, thus further sexualizing her through the juxtaposition of her body and that of the fly. Did these other “celebrity names” elicit racist and sexist commentary that included conversations about their breasts and backside; that compare Beyoncé to Michelle Obama through troubling language? Did any of them offer anything close to the the following:

Probably the most accurate animal named description. A feces eating horsefly thats golden abdomen (lower part or the A$$end) reflects on the nature of Beyonce’s true trademark..the golden arse! Someone give that scientist a grant!

These comments point to an embedded history and a multiplicity of signified meanings, which are in operation here. Thus, while others may say this is innocuous or a celebration of Beyoncé, we don’t view this as complementary or something playful. Rather, it is little more than a continuation of the larger historical narrative. It is the embodiment of Imani Perry’s insightful discussion of the simultaneity of racism and commodification: “The love of black culture with the simultaneous suspicion and punishment of black bodies is not unusual” (Perry, p.28).

And whether or not Lessard is a fan, loves Beyoncé or black culture, is irrelevant considering the larger context. Read against history, and read through a prism of the persistent demonization of black women’s bodies, this is yet another instance where representations of black female bodies are under attack. Lessard’s inclination to name this “golden-haired bum” insect after Beyoncé is a throwback or a longing for a racist past when bodies of black women were commodities; available to anyone white who could afford to pay the price. It reminds us of the perverse reality of our society’s obsession with black women’s buttocks and makes us wonder, “is this a perpetuation or reenactment of Sarah Bartmann’s troubling story in the twenty-first century?”

Bartmann, know as “Hottentot Venus,” was a South African woman whose body was put on display in London and Paris in 1816. While in Europe, she was locked in a cage and forced to rock back and forth to emphasize her “wild and dangerous nature”–and “big” black behind (Collins 2004). To onlookers, Bartmann’s body was a sign of racial differences, which supported ideas of black inferiority. While “performing,” she was forced to endure prodding and poking as people tried to understand for themselves, up close and personally, whether or not her buttocks was “normal” or a freak of nature. From Bartmann to Josephine Baker to contemporary video women, it is important to read the scientific hearing (and cultural production) within a larger history. None of this is innocent. Think about the recent comments about Michelle Obama, the fixation on Serena Williams’ body, the national panic over Janet Jackson breast, and the racist demonization of black women in Psychology Today.

Continue reading @ A Fly Girl: Black Sexual Politics and Beyoncé | The Feminist Wire.

NewBlackMan: Obama is Enslaving the White Middle Class? The GOP Ramps Up Its Racial Rhetoric

Obama is Enslaving the White Middle Class? The GOP Ramps Up Its Racial Rhetoric

by David J. Leonard | NewBlackMan

Having already literally and proverbially stuck their finger in the face of the President of the United States, having already deployed the food stamp rhetoric, the GOP launched its newest attack: Barack Obama as twenty-first century slave owner.

Mark Oxner, a Republican congressional candidate from Florida, recently released a campaign advertisement that shows a group of entitled and wealthy people sipping from their gold cups. Celebrating “bank bailouts,” “health care for life” and “corporate subsidies” aboard the U.S.S. Obamaship. Amid the celebration, and captain Obama stifling any questions, the advertisement works to expose the underbelly and consequences of the entitlement society: enslaved children rowing the ship. With the ship venturing toward a cliff, Mr. Oxner announces, “let’s not enslave our children. It’s time to turn this ship around.”

Of course, this racial line of attack, one that plays on a fallacious view of history, one that denies the connection between white supremacy and the history of slavery, and that otherwise plays on “racial anxiety,” is nothing new. A 2011 advertisement from American Future Fund warned of a future of “economic slavery,” lamenting Obama’s efforts to hand over America’s future to China. Signs representing President Obama as slave master and “tax payers” or “citizens” (whites) as slaves have been visible at various Tea party rallies (example #1, #2, #3, #4). Reiterating the thirty-year platform of the GOP – waning power of whites, the end of American prosperity, exceptionalism and civilization because racial change – the advertisement and this sort of demagoguery is emblematic of the GOP’s ideological foundation.

Michelle Bachman, in 2011, connected the national debt to the history of slavery: “It didn’t matter the color of their skin, it didn’t matter their language, it didn’t matter their economic status, it didn’t matter whether they descended from known royalty or whether they were of a higher class or a lower class, it made no difference. Once you got here [to the United States] you were all the same.” In her eyes, slavery has changed, with the process of enslavement merely changing alongside who is master and who is slave. “From the time when George Washington took the presidency on his first day to the day George W. Bush left as president of the United States, all 43 presidents, if you take all of the debt combined of all of those 43 presidents, do you know that all of that debt is less than the debt that was accumulated by Barack Obama in one year? That is the level of debt and spending that we have engaged in. So this isn’t hyperbole. This is facts.”

She is not alone with these types of “facts.” Allan West, who described himself as Harriet Tubman, denounced “Barack Obama as the ‘overseer’ of a plantation on which modern blacks are captive.” In 2009, RedState.com published a blog post entitled, “Barack Obama, a Black Man, is Now the Most Grotesque Slave Owner in History,” where the author argues that the policies and power of the Obama administration reflects the enslavement of the (white) populace

Continue reading NewBlackMan: Obama is Enslaving the White Middle Class? The GOP Ramps Up Its Racial Rhetoric.