Patrick Willis’ Two Dads | Ruth Fremson, NYTimes
The Savior Syndrome: Patrick Willis and the Mystique of #WhiteLove
by David J. Leonard | NewBlackMan
There is an epidemic of white love in America. From The Blind Side and The Help to Kony 2012, George Clooney saving Africa and countless white celebrities liberating black children via adoption, white love has become the antidote to the race problem of the twentieth century. Whereas “the race problem” defined the last years, the next 100 years are purportedly to be one of white love. While racial profiling and the prison industrial complex, persistent discrimination and poverty, education and health disparities continue to plague the nation amid a climate of heightened anti-black racism, immigrant scapegoating, and a rising tide of white nationalists movements, white love offers a ray of sunshine. Better than Barack Obama’s “hope we can believe in,” in the face of so much injustice “white love” is hope (white) society can believe in each and every day.
While watching The Blindside Elon James White highlighted the power of white love within the much celebrated film and society at large:
I DID NOT KNOW WHITE WOMEN COULD CREATE FOOTBALL STARS WITH 16 WORDS. THEY ARE MAGIC. THEY SHOULD BE TAUGHT AT HOGWARTZ!
See–poor Black dude is actually full of talent and wisdom–he just needs a healthy dose of White love to open his eyes. #WHITELOVE
What #TheBlindside teaches us is if White people find poor homeless Black dudes they can create highly sought after football stars.
Awww snap. Kathy Bates and Sandra Bullock are doing a Awesome White Lady TAG TEAM. Hitting him with #WhiteLove left & right…
Dear White People: Please bottle #WhiteLove & sell it. Then we could throw it out of car windows in the ghetto like malatov cocktails…
#WhiteLove is so magical the child of awesomely White Sandra Bullock is smarter & more savy than the poor black dude 10 yrs his senior.
Every White person in this family is AMAZING. The Dad who wasn’t even paying attention to poor black dude is now INSPIRING him.
I don’t want to watch this movie anymore. I HAVE DEADLINES–but #WhiteLove is drawing me in… I WANT SANDRA BULLOCK SAVE ME.
The power of white love isn’t unique to Hollywood fantasy but is commonplace within sport culture. This particular fantasy was on full display during a recently re-aired episode of ESPN’s E:60. Documenting the trials and tribulations of the 49ers Patrick Willis, whose life took him from a Trailer Park in rural Tennessee to the fame and fortune of the NFL; from poverty and abuse to the American Dream.
The “rags-to-riches” and pulling oneself up by shoelaces is nothing new to sports culture given the centrality of the American Dream and sports as economic escalator within sports media. Yet, the presented story of Willis is one less about the Protestant work ethic and more of white love. The story isn’t so much of his talent, hard work, intelligence, but the transformative power of whiteness, whereupon Willis life changed when he became part of a white family.
The story given on ESPN and elsewhere is rather simple: Willis and his siblings grew up poor in Tennessee. As a result of their mother leaving them and their father’s drug and alcohol problems, a difficult childhood became one of great pain and suffering because of physical abuse. Ultimately standing up to his father by first responding to the abuse and then telling school officials, the children faced the prospects of being split apart. This would never come to fruition as Willis’s coach, Mr. Findley, after a request from the school superintendant, agreed to take all 4 children into their home.
No longer subjected to violence and poverty, yet together as a family, Willis began to thrive on and off the field. According to E:60, he no longer needed to focus on “basic needs” because of his father’s addiction or fending him beatings but instead could be a “normal child.” He was now able concentrate on himself on and off the field. Allowing Willis for the first time to experience love and a true childhood, Willis blossomed into an exceptional football player and even better story. The narrative frame that imagines blackness as pollutant and danger, as problem, juxtapose to whiteness as savior, as help, as goodness, and love is wrought with history and meaning. The only better than Hollywood’s vision of white love is the purported real thing.